Some words from others …
"Lighting is a key feature of Beryl‘s production design. Simon Bedwell does an excellent job integrating with Ed Ullyart’s set with illuminated wall-mounted bicycle wheels serving multiple functions to powerful and clever effect. The mix of pendant lighting and a traditional theatrical rig works and helps shift moods and moments when a more serious energy is required" LondonTheatre1 on 'Beryl' (2019)
"Ominously animate lighting by Simon Bedwell and disjointed, flickering backdrops by Ed Sunman frame a narrative that splits almost into an anthology"
Anna Rose James on 'Legacy' (2018) YorkArts
"Kudos is also due to Ed Ullyart’s set, lit magnificently by Simon Bedwell"
Upper Circle Theatre on 'Beryl' (2019)
"the lighting takes us from place to place seamlessly"
Ron Simpson on 'The Night Season' (2017), The Reviews Hub
"Simon Bedwell’s lighting also provide plenty of melancholic moody style, the monochromatic colour scheme and stark lighting creating a modern noir ambience that suits the intimacy of the space"
Ed Nights on 'A Steady Rain' London Theatre1 (2016)
"Ed Ullyart’s set, lit masterfully by Simon Bedwell, creates a naive impression of Christmas in a snowy, American country town, Bedford Falls"
Stephen Collins on 'It's A Wonderful Life" (2017), LiveTheatreUK
"Simon Bedwell’s lighting and David Barton’s music are smartly and dramatically integrated into the action"
Ron Simpson on 'The It's a Wonderful Life' (2017), The Reviews Hub